By William Boyd
Within the small African republic of Kinjanja, British diplomat Morgan Leafy bumbles seriously via his task. His love of ladies, his fondness for drink, and his loathing for the rustic end up bold stumbling blocks on his street to any form of good fortune. but if he turns into an operative in Operation Kingpin and is charged with tracking front runner in Kinjanja's nationwide elections, Morgan senses a chance to accomplish actual specialist reputation and, extra importantly, reassignment.
After he unearths himself being blackmailed, clinically determined with a venereal illness, making an attempt bribery, and confounded with a useless physique, Morgan realizes that little or no goes based on plan.
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Additional resources for A Good Man in Africa: A Novel
The colonnades, for example, of the Forum Augustum, a central component in Augustus's building program, were decorated with statues of members and ancestors of Augustus's line (the Julian gens). It was an im- posing sight, a powerful symbol, in spite of internal tensions and contradictions, of "Augustus' efforts to impose unity on Rome's eclectic heritage" to "coax a totality from the division and incoherence of Roman cultural identity" (Janan 200oo1, 4). 31. I thank David Halperin for this observation.
8 I saw his round mouth's crimson deepen as it fell, Like a sun, in his last deep hour; Watched the magnificent recession of farewell, Clouding, half gleam, half glower, And a last splendour burn the heavens of his cheek. And in his eyes The cold stars lighting, very old and bleak, In different skies. Cold eyes come into this voyeuristic image too; change the pronouns and you have a spectacular reworking of the death of Camilla, with an interesting ap- propriation of the viewpoint (which in the Virgilian passage, characteristically, shifts from source to source).
1:75-180. Skinner, M. 1993. "Catullus in Performance" Classical Journal 89:61-68. Warden, L. 1980. Fallax opus: Poet and Reader in the Elegies of Propertius. , vol. 14. Toronto: University of Toronto Press. Watson, N. 1999. " Studies in the Age of Chaucer 21:59-97. C HAPTEPI3 Wilfred Owen's Adonis J. D. Reed WILLIAM BELL, MY NINTH-GRADE ENGLISH TEACHER, used to begin his po- etry unit with the admonition that "poetry is not about daffodils in the meadow turning their cheeks to be kissed by the wind; poetry is strong stuff," and he would then prove his anti-Wordsworthian point by reciting Wilfred Owen's "Dulce et Decorum Est," with its image of consumptive Tommies cursing their way through sludge.
A Good Man in Africa: A Novel by William Boyd