By W.A. Chatto
Трактат по дереву, история и практика
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Extra resources for A treatise on wood engraving, historical and practical
Vi. p. 22(>. M. Deville is of opinion should be lost, that these portraits were made in relief upon plates of metal, perhaps bronze, and coloured with minium, a red tint much esteemed by the Romans). t See De Pauw, Recherches Philosophicpies sur discussed in Meusel's in an article, Romans les Grecs, t. ii. p. 100. " Neue Miscellaneen von artistischen Inhalts," part "Sind wirklich die Romer The xii. p. die Erfinder der Kupferstecherkunst " truly the inventors of copper-plate engraving ? by A. Rode.
Upon the end of a piece of cloth are these words Isabel. " "SUBJECT 5. Alexander generously presents his mistress Campaspe who was painting her. The figure of this beauty is very The painter seems transported with joy at his good fortune. agreeable. On the floor, on a kind of antique tablet, are these words: Ales. Alb. to Apelles Cunio Eques, pinx. " " SUBJECT 6. The famous battle of Arbela. are these words: Alex. Alb. Equ. and engraving, & Upon Isabel, pictor. and a small hillock scalp. " " SUBJECT 7.
Which was wholly, Iwth text and figures, executed in this manner, " Liber Passionis Domini Nostri Jesu Christi, cum ptrct an jour, in vellum et suam, * : figuris characteribus ex nulla materia. " He states that in 1(>'40 it was in the collection of Albert Henry, Prince de Ligne, and quotes a description of it from Anton. Sanderi Bibliotheca Belgica Manuscripta, parte ii. p. 1. t " Rex Theodoricus inliteratus erat, et sic obruto sensu nt in decem annos regni sui quatuor literas subscriptionis edicti sui discere nullatenus potuisset.
A treatise on wood engraving, historical and practical by W.A. Chatto