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American Popular Music and Its Business: The First Four by Russell Sanjek PDF

By Russell Sanjek

ISBN-10: 0195043103

ISBN-13: 9780195043105

ISBN-10: 1423742273

ISBN-13: 9781423742272

Quantity concentrates solely on track task within the usa within the 19th century. one of the subject matters mentioned are how altering expertise affected the printing of song, the improvement of sheet tune publishing, the expansion of the yank musical theater, well known non secular tune, black song (including spirituals and ragtime), tune through the Civil struggle, and eventually "music within the period of monopoly," together with such matters as copyright, altering know-how and distribution, invention of the phonograph, copyright revision, and the institution of Tin Pan Alley.

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The several hundred plates he engraved for two editions of the Musical Entertainer were widely imitated for a century in England and then in the United States. Until the appearance in 1820 of the engraved cover for A. P. Heinrich's 268-page book of printed music, Dawning of Music in Kentucky, most examples of the engraver's art used for title pages were rather pedestrian. , whose work decorated the Miscellany of Music, 38 American Popular Music and Its Business a seventy-two-page collection of songs that appeared in 1823.

Music publishers did not do this, as a general practice, until the postCivil War period, when the growing international business in American music made such reciprocal relations necessary. Because the Copyright Act of 1831 appeared to indicate that a foreigner might get protection if he resided in the United States, some British writers made an effort to test the new legislation. Captain Frederick Marryat, a professional sailor turned best-selling author of adventure novels dealing with the Royal Navy, came to America in 1838 to observe the young democracy in action.

From this success, Currier learned that fortune lay in giving people what they wanted: pictures of disasters, political figures, celebrities, famous scenic sights, natural wonders, and sentimental and homey subjects. The firm provided the equivalent of what the picture magazine and the television screen offer modern audiences. During the 1830s and 1840s, Currier produced more than eighty music covers for James K. Hewitt, Firth & Hall, and other New York music houses, on all the many subjects used by enterprising music men in order to attract buyers and increase sales.

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American Popular Music and Its Business: The First Four Hundred Years Volume II: From 1790 to 1909 (American Popular Music & Its Business) by Russell Sanjek

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